CHRISTIAN MARCLAY. ACTION

When his twenty-four-hour film The Clock was awarded the Golden Lion at the fifty-fourth Venice Biennale in 2011, his hour had struc k. Yet as an artist, performer, and pioneer of turntablism, the Swiss-American Christian Marclay has been famous for his complex oeu vre for more than thirty years. Since then he has translated sounds and music into visible forms in his performances, installations, collages, sculptures, and photographs, revealing sensory experiences in them that his viewers had never dared to experience.